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Texture synthesizer
http://mutable-instruments.net/modules/beads
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Big Studio blowout Sale! I am clearing out my studio as I am retiring from sound production. Watch for many items I will be listing over the next few weeks. Everything from synthesizers to 100’s of Eurorack modules, 1/4” 4 track recorders and even wire recorders, portable Victrolas and Edison Cylinder Phonographs. If you are interested in anything, feel free to reach out to see what I am listing so you can get first dibs. This is a Mutable Instruments Beads. This is excellent condition with very minor marks around the rack screw holes. Bought earlier this year for one project. Very low usage. Includes the original box and box candy.Please check out all pictures. This comes from a smoke free and pet free studio.Prices will be fair and don’t be shy to make reasonable offers.Here is some info from the manufacturer:Beads is the follow up to the discontinued Clouds module from Mutable Instruments. It’s labelled as a ‘texture synthesiser’ and it’s core function is real time granular synthesis. It can also be a delay, media emulator (tape), beat slicer, pitch shifter and it has a built in reverb. When you’re not processing external sounds or frozen sounds you’ve locked into the audio buffer it will load wavetables giving you a bonus wavetable oscillator that still goes through the granular processing and reverb. Compared to Clouds it’s far higher quality, has more features, better control layout with no menus and less button press/hold functions.FeaturesAudio acquisitionStereo I/O with automatic level detection.Manual override of the level detection.Automatic mono/stereo switching through patch cable detection.Recording time: 4s (48kHz 16-bit, stereo) to 32s (24kHz µ-law, mono).Four quality modes, with different tone and reverb characters:48kHz 16-bit32kHz 12-bit with Clouds emulation24kHz 12-bit with a hi-fi dry signal path24kHz µ-law with cassette emulationThe FREEZE button and the gate input freezes the content of the recording buffer, allowing you to dive into its sonic details.Auto-saving of the FREEZE buffer.Granular synthesisThree grain generation modes:Latched (continuous), with a periodic or randomized rate, tracking V/O.Gated, with bursts of grains triggered by the press of the SEED button or an external gate.Clocked, with randomization or division of an external clock or trigger signal.Four grain parameters:TIME. Temporal position within the buffer.SIZE. Grain duration from 0.03 to 4 seconds, forward or backward playback.SHAPE. Morphing between four key shapes of the grain envelope: solid rectangular, snappy decay, smooth bell, or reversed.PITCH. With V/O tracking.AttenurandomizersAvailable for each of the four parameters of a grain, sampled each time a grain is started:Direct CV control.CV control of the amount of gaussian randomization.Internal randomization with an independent, uniform or peaky, random source.DelayControl of both the base delay clock rate (DENSITY), and its multiplication (TIME), with optional random taps.Tap tempo with the SEED button or an external signal.Enveloping of delay repeats, with the SHAPE setting.Pitch shifting of the delayed signal, controlled by PITCH.Signal flowFeedback path delay: 1 sample.Independent knobs for feedback, dry/wet amount, and reverb amount.CV input assignable to each of these three parameters, or to variable combinations of them.When unpatched, the R output is summed to the L output.Optional generation of a gate signal on the R output.SpecificationsAll inputs: 100k impedance.Audio codec: 24kHz, 32kHz or 48kHz, 24-bit.16-bit CV capture.Processing rate: audio-rate for the SEED and FREEZE inputs, 4kHz for the CV inputs.Latency: 0.25ms.CV input range: +/- 8V for grain parameters, +/- 5V for density (with V/O tracking) and assignable CV.Internal processing: 32-bit floating point.
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