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A 3rd generation, high-quality boost pedal from Fulltone, hand-built in the USA. With Bass & Treble controls and true-bypass. In mint condition throughout, and complete with it's original box and manual.Total redesign of Fulltone's Fat-Boost pedalClass-A , 100 percent JFET powered, with no op ampsA huge amount of headroom before clipping of any pedal you've triedPre-clipping Bass control (keeps things from getting flabby when using neck pickupTreble control allows lots of sparkle yet can brown up nicelyMulti-stage FET design provides great compressionOffers a bit of Tweed-style crunch tone with Drive control turned up, but excels as clean boosterNon-inverting and extremely Low-Z output to drive other pedals and long cablesProprietary power section allows you to use just about any power supplyTrue bypass, bright LED, and anti-pop switching circuitryFatten up your tone the easy wayThe Fulltone Fat-Boost 3 is a discrete Class-A FET (Field-Effect Transistor) pedal offering up to 35dB of non-distorted gain without changing your signature sound — unless you so desire. You can fatten/distort your tone, brighten or mellow up the sound, add or subtract Bass, and add even-order harmonics! The FB-3 has true-bypass switching without the loud popping sound, thanks to Fulltone's proprietary anti-pop circuitry.Fulltone's FET design makes the Fat-Boost 3 sound greatFETs can behave like tubes in a properly designed circuit. They can "clip" (distort) in a pleasing way instead of being buzzy or spiky sounding (like a transistor), and can also add a subtle limiting to the signal. This evens out the volume, making your live and recorded tones more pleasing to the ear.A hearty addition to your amp rig — and a perfect pedalboard helperThe Fat-Boost 3 works great in front of non-master-volume tube amps to goose them into submission, as well as through master volume amps to drive them much harder than possible with just your guitar alone. It also works very well on bass, acoustic guitars with pickups and is the best thing you could put at the end of a pedalboard effects chain to completely eliminate the tone loss caused by long guitar cable runs back to your amp. Doing so will allow the use of 50' (or longer) cable lengths with no signal degradation whatsoever.
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