@Lugia
Very interesting real life examples of those everlasting questions about art and technical means: 'Should I retain or break the common rules?', 'Should I use or dismiss instruments and tools I could use?'
History of art, and music in particular, abounds with great examples: the use of a keyboard (an harpsichord at that time) as a soloist in a concerto, traditionally limited to a role of continuo instrument (JS Bach was the first to dare it), the integration of vocal soloists and a chorus in a historically instrumental form (Beethoven symphony No 9), the use of vinyl discs, tape recorders and sampling techniques (Pierre Schaeffer creating musique concrète), etc.
"Don’t be ashamed of your own ideas. Most musicians get applauded for sounding like someone else.
People try something out that they think is exciting, and everyone looks a little unsure. Then they play an old James Brown riff and everyone’s saying: ’Wow! That’s what we want!’
Most of the time musicians are being encouraged to sound recognizable. What I’m doing [as a producer] is encouraging them at the points when they’re not."
[ Brian Eno ]
@baltergeist
And YES, baltergeist, THAT'S REALLY FUN! :))
'On ne devrait jamais quitter Montauban' (Fernand Naudin).
https://soundcloud.com/petrus-major/tracks