Hmmm...probably better if I show you. Lemme bang on this for a hot minute...
EDIT: OK, here we go...
First off, I deleted the discontinued modules...notably Braids and the Stillson Hammer. Removed the drum voices, also, then I restructured the signal flow so that your "voice" is on top, "modulators" in the middle, and the sequencers, effects, and performance mixer on the bottom. Left to right flow, also. These tweaks make the general environment of the instrument a LOT easier to navigate.
Top row: buffered mult added, since we've got four oscillators here, plus the potential of VCF CV routing. Next to this is a little Doepfer multimodule that contains a sample and hold or track and hold, slew limiter, and a ring modulator. Oscillators next, with the Braids subbed out with a CalSynth clone. Then a four-in mixer with dual outs, which lets you sum the oscillators down...then you can feed them into the Tiptop Fold. Or you can send some oscillators into one of the Fold's inputs, and send another down to the #2 input on the Fold for extra wavespliced craziness. Lastly, Morgasmatron...why have two separate VCFs when you can jam 'em into the same module and make them cross-feed, right?
Middle row: Noise and random pulse gen, then the WMD/SSF Toolbox, which is one of the best jam-things-in-tiny-space utility modules I can think of. After that, a Stages...which can be either a multistage envelope gen OR a 6-step sequencer, depending on what you need. Maths next, then the Batumi and Zadar with their expanders. The Tiptop MISO then provides plenty of ways to screw around with the modulation signals, and next to that is a Happy Nerding 3x VCA, primarily for the use of the modulation row BUT since the module allows you to "split out" individual VCAs, you could also press them into service for audio.
Bottom row: Stillson's gone, so I put in a Squarp Hermod. Internal quantizing, MIDI interface (including a host connection for directly connecting USB devices, such as keyboards, etc), all the bells 'n' whistles across eight channels. Then for kicks, next to that is a Hikari Eucrhythm sequencer for creating crossrhythmic patterns with a touch of statistical randomness. It's also useful for doing random gate/trigs for other devices in the build. Mimeophon after that, then next to it is a Frequency Central module for reverb, tap delay, and chorus. The performance mixer here is Toppobrillo's revised 4-channel Stereomix mkii, which gives you your audio VCAs (four, one per channel) plus VC panning, VC AUX send, cue send, mutes, metering, and your phones preamp. This then connects to the Happy Nerding Isolator to convert synth to line level and to isolate the modular from any crud coming back thru the audio out lines, plus it has the master stereo level control, allowing you to kill the audio feed without having to change any mixer settings...very handy!
Yes, this IS different from your start point. But at the same time, it still has the same sound generation capabilities as the original version, the same modulation source, and a beefy sequencer like before. But in this case, this is what you get when you drop all of the "boring" modules in, which then tunes up the build and makes it into a ready-to-rip modular. Without these tweaks, synthesis is a big PITA...but WITH them, you wind up with a boxful of sonic trouble that I doubt you'll ever hit the bottom of. And yeah, no drums...trust me, you're much better off using the safety of a quality drum machine, because even if everything on the modular goes bonkers, you've still got that groove going and you can turn the modular catastrophe into a trippy and gnarly "improv" while you're busy fixing shit! And believe me...that happens more than you think!