Thanks for the jam and patch notes.
I agree, it's really worth reading the manual. I still find it tricky to integrate the EnOsc in a track. It's easy in unison mode, of course. And when using only a few oscillators and little spread. But for every other mode, I feel I need to "compose" a track around the EnOsc instead of just starting somewhere and then patching it in when I want to. Maybe that's just my haphazard songwriting style and could be solved a more theoretical approach?
How do you all work with the EnOsc?