Thanks a lot Jim, this is a big help.
NP
I wasn't thinking that the MFX was to be used a s a filter, I though it was an effect for reverb, echo etc. I see it also does auto panning and phasing etc. So it can be used as a transient shaper, so I take it this is more the filtering side of it?
My mistake - I've only got Pams from alm and confused it with a filter - it was late!!! in that case you will probably find you want at least one more filter, at some point...
The peaks clone looks amazing, that's ideal. Looking at the After Late Audio ones. I watched a video on it and the guy was using branches to get a nice kick and snare, would this be a good option for some percussion, just would like something in there to get a beat. I was planning on the Coral as it has so many voice and would work well with the OXI one sequencer I have, drums, chords etc.
I often use my peaks for percussion - but I have a lot more modulation options - and I'd recommend using it for modulation...
you can create a 'beat' by feeding noise (or any other audio source for that matter) into a vca and opening the vca with a trigger from Pams or Maths - I would not worry about this initially though - I would concentrate on learning to patch and getting to know whatever the first batch of modules you buy inside out
I'm really stuck on the mixer side of things, can you recommend a couple that would be good for the CsL utputs as you mentioned. I'll leave the matrix mixer until I find and learn more about them.
any basic mono mixer will do - a lot of people like moog cp3 clones - AISynthesis harmonic mixer for example - as it has some gain - so adds some nice harmonics - or a happy nerding 3*mia, or a mutable shades clone - you will probably find you want multiples of these types of module! you'll probably want an end of chain mixer with send and return at some point in the future... I like the tesseract modular tex-mix (as it's inexpensive, expandable and available as diy) for this purpose
So if I was thinking the MFX was going to be my reverb/delay and you recommend delay and reverb, what other modules would you be thinking, something like the FX Aid?
I'm not sure of the algorithms on the MFX - personally I'd go for a couple of fx aids - at least one of them the pro (so you can see what you are doing easily) - imo it's better to have at least 2 effects units - 1 for delay and another for reverb - some will offer delay into reverb, but that's not necessarily what you'll want to patch - maybe you'll want to have vco into reverb into filter
Case No. 2 , lol, was hoping not to go down that route but I think its inevitable lol.
yes, says he with 8 cases...
I'm planning on going in next wednesday to my shop and picking up the Peaks Clone, ALM Tangled Qaurtet and MFX, if you can give me some advice on the reverb delay and mixer I could maybe them as well and then that would do me till I get my head round the rest lol
-- JimHowell1970
Thanks again :)
Ok, think I'm getting somewhere now lol
Going to leave percussion for now..(maybe 2nd case lol) and use what I can to create a beat, need to learn that anyway as you say.
I'll leave the MFX and go with the FX Aid pro just now, pure anologue sounds better to me, it looks great, i was originally planning on just getting the small one and MFX but decide which other one later.
Is this the mixer you were thinking of, my pal can put it together for me if needed. https://www.thonk.co.uk/shop/ai022-kit/
There is also this one and one similar with a mix control..https://www.ebay.co.uk/itm/115758587017?var=0&mkevt=1&mkcid=1&mkrid=710-53481-19255-0&campid=5338268676&toolid=10044&customid=Cj0KCQjw0tKiBhC6ARIsAAOXutkoRF6OtlkVlL1gTITAwquPMOghldwNj8m6EudM2p5QBFq_sbg_1LIaAgUTEALw_wcB
I was looking at filter, probably just leave that the now to have a better look bu the Doepfer wasp one looks good and would be different from Qpas.
Thanks for your help and saving me money lol
:)