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MUR#03 was created in relation to the overture of R. Wagner's opera Das Rheingold, which is performed without interruption immediately afterwards. This aspect reflects the need to conceive the concert not as an arbitrary collection of pieces, but as a global listening process that goes beyond the sum of its parts. MUR#03 is not a rewriting, reinterpretation, or reuse of any motifs or materials from Das Rheingold. The relationship lies simply in the fact that it is intended to be performed before the piece, in the same way a programmer plans the sequence of pieces in a concert. This is by no means a minor relationship.ç

Here is a small excerpt:

Full video on my youtube channel