@Ronin1973
Thanks, I'm only using the DAW these days to record, mix and master, with composition happening on hardware. That said, I know most things can be done in the DAW, and that's how I used to work, but I feel like I enjoy hardware a lot more. Now, as for the modules not making sense, I've followed the advice and updated the rack.
@nickgreenberg
Thanks so much for all of these tips. I've heavily updated the rack based on them. I think my proportions of voicing, CV, utility and others is much more on point now.
- As much as the Bitbox micro was appealing, I've decided that it's more of a priority to have the VCOs for the voices. I've also dumped the Cloud Terrarium in favor of much simpler (and smaller) Erica wavetable VCO and Joranalogue Fold. It's a compromise but I guess it makes more sense in this build.
- I've added the Quadrax and expander as suggested, as well as Doepfer LFOs. As for sequencing, I'm not sure I have the space for anything bigger than the Ornament and Crime, but I do plan to get some sequencing going from the Digitone through FH-2.
- Also, as well as the Links which was aready there, I've added the Miso and a 3xMIA. Does the Maths make more sense in the current context?
- As for the ES-8, I can see it being really cool for having so much IO, but I'm not really using the DAW that much, and feel like the FH-2 is much more important in order to make the most of Digitone's MIDI sequencer. As for the OUT, do you mean the Listen Four? What are the advantages other than the embedded mixer? It's 8HP more than the Befaco so it would have to be at the expense of maybe the 3xMIA and the Buff.
- Haha I've been doing exactly that, checking out the forum for other starter racks and trying to learn as much as possible.
@plragde
As for the Cloud terrarium, I think it's Hiro Kone's main eurorack voice and I had a look at some videos and it just seems very capable at making unusual waves and creating textures that evolve over time. Let's just say I know the Erica wavetable VCO is a significant downgrade. The reason for the Plonk was to use it more for stringy platey sounds than drums, and to run it through the beads for granular stuff, but I can see there is no space for it. The polyvoks is just a filter I have come to absolutely love through the DB-01 but you're perhaps right that it might be better to get a different sounding filter. Sampling will definitely be done out of this system, if at all, I can see now that it didn't make all that sense. Finally, would you swap the Maths for MI Stages or something else?
Thanks again!
