Setting the stereo mixer and zeroscope aside for the moment. I went back through you notes where you mentioned a CP3. I didn't know what that was which may be the reason I forgot about it. Now it starts to make sense. I pulled Plaits and put back in the Hats module and the Manhattan Analogue CP3.
Is this more in the direction of your guidance?
Yes, Dan
use the cp3 to mix the percussion - you can get a nice bit of grit from the cp3... then you can send too a mono filter...
nb - the manhattan analogue cp3 is now called the DTM - moog's lawyers wrote them a cease and desist...
"some of the best base-level info to remember can be found in Jim's sigfile" @Lugia
Utility modules are the dull polish that makes the shiny modules actually shine!!!
sound sources < sound modifiers < modulation sources < utilities