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Thanks Jim… I probably should have mentioned I have 2 korg sq1 sequencers and an additional external mixer. I also have a set of utilities (VCA’s Attenuators, LPG passive multiple, micro mixer) from tid bit audio that float around as needed.

usually a good idea - as much info as possible as simply as possible is usually best...

no idea what the tib bit audio thing is could you post a link?

Of coarse I’m trying to be space and cost conscious, and want to get the biggest bang of sonic options for the buck. I can’t be alone in that quest.

probably not but it's a juggling act... the formula in my signature generally gives the most versatility for the least cash, though and scales well from the smallest to the largest modular synths

For modulation sources. I think there’s a lot of possibilities with ochd, swn, maths, rnd…

yes and you need multiples of these - and ways of mixing them together and attenuating and inverting and modulating them...

combining synced, unsynced and a tiny bit of random together in varying ratios gives better modulation than any one of these alone and often they need attenuating and (possibly) inverting

and I can record modulation to morphagene.

but them you can't use it for what it excels at - audio manipulation

The sg1 can also offer modulation as well as the mutable instruments ears clone, Byxa. I also have a berhinger crave cowering nearby, and a couple pedals…microcosm, two stereo loopers and the new boss slice.

do you mean sq1, not sg1? (that's an old sci-fi tv show!!! which could of course be used for modulation)

and the pedals aren't really modulation sources!!! and I don't see anything for interfacing with these - or do you find they work well at modular levels - I have some pedals that do and some that don't...

But I hear you. More utilities!

good... you got the point...

sound sources, modulation sources and sound modifiers are just what they are - utilities are possiblilities!!!