Yes I do know about Muffwiggler and manytimes when I google something about sythesizers I find link to this page onto some forum about the stuff Im looking for, I read it from time to time, but havent had time to dig too deep really.
And what do I know about modular synthesis, well lets see haha. CV stands for control voltage and the difference between CV and LFO (low frequency oscillator) is that CV is more of an umbrella term for all voltage that is generated to modulate (or control, hence the name control voltage) some parameter of certain modules, usually via LFO or an EG (envelope generator). So all LFO can be used as CV (and also if the LFO reaches audio rates, it can be used as VCO - voltage controlled oscillator, OR as wicked FM - frequency modulator for different VCO), but not all CV is always an LFO. 2 of the different EGs are AD, ADSR, (there are some other ones too ofcourse but I dont remember all of them from top of my head, Maths module can be used as complex envelope too) from with the AD is more suitable for pecussive sounds, atleast Id think so. The EG usually modulates the VCA volume levels to create different attack, decay, sustain and release times to really shape the sound character from short attack plucky bass sounds to more ambient slow attack strings. LFO can also be controlling the volume levels of VCA to create kinda tremolor effect to the sound. Theres 2 main types of VCAs, linear and exponential, linear is more suitable for CV and exponential is more suitable for audio. I havent yeat talked about Filters (VCF), which is as the name suggests, a filter, its purpose is to let certain range of frequencies through to create either more dark bassy sound or more bright with lots of high end. Theres multiple different kinds of filters such as LP (lowpass), HP (highpass), BP (bandpass), Notch. I dont really know what exactly bandpass and notch do, but I think Bandpass takes the cutoff point and lets everything around that through and notch only lets through whats on the set cutoff point. I also dont know what exactly resonance does to the voice but it can make your filter scream, with or without a sound source (self oscillate, sine wave). Fast LFO modutlating filter cutoff with full or almost full resonance has to be one of my favorite sounds Ive made on any synthesizer so far.
I think I could go on for long time about what I think I know about modular synthesis and synthesis at all, but I think thats enough for today... Also this is what I remember from top off my head so Im not 100% confident its all correct so please correct my mistakes so I will learn! : D
Ill go read more Muffwiggler now!