We'll see, I suppose. Honestly, if they were to reissue something of theirs from the past, I would hope it would be the Prophecy. No one really "got" this synth when it came out in the mid-1990s except for just a few people. One that I know of found that it was nearly perfect as a controller for their Oberheim Xpander...and given the complexity of the Xpander, that's sayin' something! Its MPE capabilities are off the chain, even for TODAY! But Korg felt it was something of a cross between an experiment and a failure (it was supposed to be a monophonic OASYS, actually...even used the MOSS synthesis implementation), so they retreated to "safe" things after that for a while. The Japanese synth companies are funny like that...when they come out with something that really needs exploration beyond what the company thought it was, they tend to think that these products "failed". The most egregious case of this was Roland's TB-303...failed mainly because Roland kept insisting that it was ONLY a bass synth, and people didn't get what it could REALLY do until 1987 and the release of Mr. Fingers' "Washing Machine". Then, even as the prices of the 303 continued on up toward the ionosphere, they kept proclaiming that "We'll NEVER reissue the TB-303"...
...until they did, in several clunky forms that weren't what people really wanted. And I'm NOT counting the MC-303 here; that device is an abortion of its OWN hideous sort! I don't think it's an issue of just "synth nerds", either; if that were the case, we wouldn't see all those people drooling over the Prophet-5/10 reissues. Players want and need things that work, that make sense, and that have loads of possibilities that require exploration, even 40 years on.