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You really are a cranky hamster today, aren't you?
What would Google show me?
You are the one who posted the module on Modulargrid, which means, actually,yes, it IS your job to educate everyone; if it's just for yourself, make it private so folks like me don't get bent out of shape that you're ripping off Ben Burtt.
Yes, please do make whatever you like for yourself, and enjoy the great sounds Ben made, and don't present it as though you're offering a module with his sounds - pretty simple, really.
But you're all licensed, so no problems, right?
So why so upset at me?
Try using Google next time and just appear to be the moron as opposed to opening up your mouth and removing all doubt!
Seriously, it's my job to educate everyone to what I am doing? Let me guess you're a high school teacher too when you are not moonlighting as Lucasfilm police. This module is for myself and no one else. I can make whatever I fucking want for myself!
What a charmer you are!
And I thought I was the cranky one!
DSC, you are the one to provide the facts - but the module page has no technical specs whatsoever, (nor any indication that the sounds were officially licensed from Lucasfilm) so I should probably be forgiven for not "getting my fucking facts right". I guess the modified logo and lack of registered trademark symbol also made me suspicious of your module. Buying the book doesn't grant you the rights to repackage the electronics, last time I checked, but I'm sure your homage will be received in the right spirit.
What's sad is no talent ass clowns are allowed to post without getting their fucking facts right!
Ben Burtt and Lucasfilms were paid their royalties when I purchased the electronics straight from them.
I worship Ben's work and consider it the soundtrack of my life. This is done in complete homage to him and those like him.
Why not go out and make some iconic sounds of your own, instead of ripping off Ben Burtt?
This module represents (almost) everything that is wrong with the current generation of synth users; boycott and shaming are the only reasonable responses to this rubbish!
And I guess I just outed myself as a cranky old man...guilty as charged, I suppose.
I mailed XAOC a couple of weeks ago, they said they will be start manufacturing them in January, the price is not certain but should be around 450/500 Euros.
Pamela's: 120 BPM
Atlantis: configured for a hissy snare-like beat, run through Ripples, x1
Radio Music, pushed through Wasp filter, sequenced with first Tirana, x1
Telharmonic, pushed through Disting delay (/2) and Springray, sequenced with second Tirana, x2
Peaks LFO1, x1, modulating Wasp CV1
Peaks LFO2, /4, modulating Telharmonic degree
Function /16, modulating Telharmonic interval
Telharmonic tonic controlled by QuNexus
Wasp CV2 modulated by Hikari sine
The premise is that the ultimate modular mixer can also invert and/or offset the signal, whether it be processing audio or control voltages. In the audio case, an inverter allows you to create new sounds by mixing together more than waveform from an oscillator or more than one output from a multimode filter, and inverting one of the inputs to create interesting harmonic cancellations and reinforcements. Adding an offset to audio waveform allows you to create asymmetrical distortion when fed into a wave shaper, or overdrive a filter or ordinary mixer. (For more on this and utility mixers in general, see http://learningmodular.com/choosing-utility-mixers-for-your-modular/)
The top row contains mixers that can also invert and offset the signal in a pretty straightforward manner.
The middle row contains more complex control voltage processors which can achieve the goal of mix, invert, and offset, but they may require a bit more thought or patching than the top row. Although less intuitive or immediate, the upside is that these modules should provide even more creative possibilities in your modular.
The modules in the lower row are missing one of our desired features, but are still very interesting mixer alternatives in their own right. For example, the RYO Ampmix can provide up to a 2x boost for each signal it mixes, allowing you to overdrive modules that don't have that option built into their own input controls.
If you know any other suitable modules on ModularGrid that I missed, let me know and I'll add them to this rack.
Felicidades por tu sistema se ve divertido. Yo apenas voy a empezar el mío acabo de pedir el happy ending kit y tides para usar con mi analog 4 y mi microbrute.
Dony01001@gmail.com este es mi correo para cuando quieras vender algún módulo y estés en México.
Los compras en Estados Unidos o de dónde los pides ?
Saludos y gracias.
Hola, Es una tienda de eurorack en Mexico?
-- dony01001
No, no es! Es un rack con todos los módulos que tengo ahorita, más algunas que estoy comprando…;-) quería ver que tan grande tendrá que ser el track para que cabe todo...
with this rack I want to do live performance of drones, meditation music, harsh noise. in the studio I would use it for bass synth, sound design, making sample libraries for video games, advertising, radio, movies. I think I can just use external reverb to save money and save space in the rack. Any suggestions?
Metropolis:
c0, f0#, c0, d1, c0, g0#, c0, g1
., ..., ..., ..., ..., ..., ..., ...
Plague Bearer:
Sweep Inputlevel high to make a constant BI, pull back to make the E350's saw LFO be effective.
M37:
Sweep Freq to drastically change M15's square wave.
M15:
Square signal has a lot of character.
Saw wave provides the acid sound w/ no VCA. Runs through the MMG.
Peaks:
Release provides a TON of character for the M15 Square wave.
4MS PEG:
Toggle between = and /2
MMG:
Sweep main filter knob.
The EMW site said this was 50 mm deep but the one I got was 62 mm deep and wouldn't fit in my case. The deepest module that will fit in my case is 50.8 mm max so I modified the module by removing the euro power header on the outside of the PCB and put a MTA-100 on the inside of the PCB. Now it only requires 48 mm depth.
I've been thinking about making an awesome, powerful lunchbox... Something both playable and generatively patchable. This current plan might be a bit too claustrophobic (kind of worried about that), but it sure seems to have the power I'm going for. I'm trying to stay away from modal modules (eg. Peaks, Disting, etc) though the mk.3 Disting and at least one EON might have to be there anyway... so small and useful!
The Function is the biggest module in there, but I think it's damn useful... Some vc'd envelope/LFO action seems like a good idea, right?
The only module I'm really unsure of is the Brainseed. I've never used one so I'm not sure if I'd get along with it, nor am I sure that even if I did get along with it that it'd be of much use in this lunchbox.
So this is my setup up to now (except the metropolis which is going to be a christmas gift to myself but consider its existence in my rack as true).
The bottm right 40HP blank is not actually there cause the 3rd row is just a custom 44HP mini rack of mine. So the actual usable left HP is 18 because (the image is not right) the Frames is also not there...
I really like the MI Frames but should i go for individual modules, a mixer, vcas, a switch instead?
Have in mind that Modulargrid has calculated total draw: 959 mA +12V|490 mA -12V|0 mA 5V, which is true as far as i have checked from modules manufacturer technical descrition pages and the whole system is powered from a DIY kit Doepfer (1200mA).
Sorry false alarm. I did not get an email with my plaintext password. I got confused with another modular synth forum that joined around the same time.
There are some nice cases out there. Which case offers the most depth above PSU and bus board? Modules like uLFO have 60mm depth, but some cases like Pittsburgh only have 38mm.
Thanks solitud.
Yeah, I thought about that, it's drone for sure. But that guy said something like *******(insert big word here) recording method.
EDIT: Found it! It's called an Aleatoric(chance or dice) recording. Here is the video:
