My goal is to use the neutron and/or another synth like the Behringer Model D as my sound source(s) sequenced by the Black Seq which would be triggered by the Dnipro Dot to play rhythmically. I’ll then want to feed the sound sources into the dual fx for some reverb and delay which I’d then like to output into headphones or my audio interface to record into my DAW.
Let’s say I wanted to sequence osc 1 and osc 2 of the Neutron separately to the Black Seq CV1 and CV2 and basically have channel 1 and 2 of Black Sequencer triggered separately by Dnipro Dot. What would be the best way to go about this? Are there any additional modules needed to achieve this? At the moment, I’m only hearing one or the other triggered by the Dot for some reason. Perhaps I have it patched incorrectly.
If I wanted to sequence the Model D and Neutron, then would I need an audio/cv mixer? I assume I need something to sum the two signals together into one output so I could then patch into FX and then an audio interface module of some sort.
What module would you suggest for tracking into my DAW and listening through headphones? I was looking at something like the Intellijel μJack. Would you suggest any better alternatives?
Grateful for any help I could get!
-- Avesta
Black sequencer only has a clock input - so you can clock it from the dni pro and then use the internal per channel dividers to advance the sequences in the black sequencer - tbh, the dni pro is a bit superfluous in this set up - the black sequencer is very capable of doing all sorts of things - gate length per step, tieing notes/gates and playing different channels at different speeds etc
if you think you have it patched incorrectly maybe you could describe the patch - or better yet illustrate it in modulargrid - so we can take a look
mixer - just get a decent end of chain mixer that has send/return and headphones as part of the package
this way you can mix the original signals from the semis and layer in as much of the fx as you want - at the lower end a tesseract tex-mix master and 4*mono channels would probably work quite well - otherwise something like es9, which @sacguy71 suggested would can do the trick of both mixer and audio interface
most 1/2 decent modern audio interfaces should be able to cope with slightly attenuated modular level signals - so just a matter of watching your gain staging - levels not too high anywhere - and you should be fine to go straight into the audio interface from the mixers stereo outs
if you don't already have an audio interface (and want an external one instead of the es9) - go for one with at least 4 outputs - 2 for monitoring (these are usually copied to the headphone outs too) and 2 for sending audio back out to the modular - otherwise if you want to send audio back to the modular you won't be able to monitor through the audio interface - which may or may not be an issue for you, now, but next week it might be...
nb with the es9 - some people have issues on windows apparently, so if you're running windows you might want to do a bit more research than just simply reading the manual - works perfectly on macs from what I hear...
"some of the best base-level info to remember can be found in Jim's sigfile" @Lugia
Utility modules are the dull polish that makes the shiny modules actually shine!!!
sound sources < sound modifiers < modulation sources < utilities