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There is also the ADDAC System 102 VC Radio. You can both scan and search manually or by voltage control. Everything on the module is under voltage control. Not only does it scan stations, it can search all of the glitchy sounds and fuzz in between as a noise source. ADDAC modules are very good quality.
There is also the ADDAC System 102 VC Radio. You can both scan and search manually or by voltage control. Everything on the module is under voltage control. Not only does it scan stations, it can search all of the glitchy sounds and fuzz in between as a noise source. ADDAC modules are very good quality.
-- bopodoq
Thank you for introducing me to another option. Had a look at it and it does look good - unfortunately at 60mm deep it will not be able to fit in my current case. May fit in what I hope to be my next case, I will have to check.
You could also plug-in or recored a shortwave radio for the the lovely Sputnik style sounds, I keep a bunch of samples of that on a Radio Music or Disting.
Ive not done it for a while but I've used snippets of samples triggered by short envelops to be used as evolving percussion sounds.
Enjoy your spare HP, don't rush to fill every last space, this is not like filling sticker books. Resist the urge to 'complete' your rack, its never complete so just relax.
the mtm radio thing may be very difficult to source... the teensy 3.2 that it's based on has been discontinued...
nb the mtm chord organ is the same module with different firmware... so if you really want a radio thing you could also search for that and reflash it...
tesseract modular also make a radio - no cv though
"some of the best base-level info to remember can be found in Jim's sigfile" @Lugia
Utility modules are the dull polish that makes the shiny modules actually shine!!!
nb the mtm chord organ is the same module with different firmware... so if you really want a radio thing you could also search for that and reflash it...
-- JimHowell1970
If you need a Radio Music module you can re-flash a Prok Drum module as a Radio Music, as I have. The Proks make a lot of machine noise in the percussion environment so 1x Prok on percussion duty is as noisy as I want my rack.
Enjoy your spare HP, don't rush to fill every last space, this is not like filling sticker books. Resist the urge to 'complete' your rack, its never complete so just relax.
Enjoy your spare HP, don't rush to fill every last space, this is not like filling sticker books. Resist the urge to 'complete' your rack, its never complete so just relax.
To use a natural or any external sound, exploring it by stretching it, modifying its pitch, filtering it, cutting it into slices... in short by manipulating it in all the most unexpected ways, then associating it with others was the innovation of ‘musique concrète’. https://en.m.wikipedia.org/wiki/Musique_concrète
There are many modules that allow this work: choose the 'Sampling' function in the 'Modules' section (Module Finder) and you will have a long list of modules for this. This way please :)
Then, you can still associate any other module that will fold the result, distort, create an envelope, place it in a space (with more or less reverb)... Any traditional complementary modular function.
In theory there are two sound synthesis techniques for dealing with acoustics; there is the traditionnal Sample-based synthesis and the Granular synthesis: both are well developed in the modular universe.
Everyone can work in their own way. Personally, and like many modularists, I have currently invested in granular synthesis (Qu-Bit Nebulae, Make Noise Morphagene, alongside Monsoon and Beads which are also effects, modules derived from Clouds). I completed with a more modest module (Tiptop Audio One) to include samples, considering that the computer is also a first way, upstream, powerful and fast to process any audio sources.
But again, to each his priorities, his preferences...
The recording of a radio extract on a Usb key or Sd card can then be processed by a granular synthesis or traditional sampling module, and it can be easily preserved as @wishbonebrewery indicates...
We can therefore think of separating any authentic Fm or vintage radio (or other audio sources like microphone, K7, Cd, Tv) from modular processing, it’s also more economical: in cost and HP.
The looper function allows you to manipulate the audio. This function, which is the basis of the freeze function, is integrated into many modules. But many use an external looper: this is the case of the legendary Todd Barton...
There are many modules that allow this work: choose the 'Sampling' function in the 'Modules' section (Module Finder) and you will have a long list of modules for this. This way please :)
Then, you can still associate any other module that will fold the result, distort, create an envelope, place it in a space (with more or less reverb)... Any traditional complementary modular function.
In theory there are two sound synthesis techniques for dealing with acoustics; there is the traditionnal Sample-based synthesis and the Granular synthesis: both are well developed in the modular universe.
Everyone can work in their own way. Personally, and like many modularists, I have currently invested in granular synthesis (Qu-Bit Nebulae, Make Noise Morphagene, alongside Monsoon and Beads which are also effects, modules derived from Clouds). I completed with a more modest module (Tiptop Audio One) to include samples, considering that the computer is also a first way, upstream, powerful and fast to process any audio sources.
But again, to each his priorities, his preferences...
The looper function allows you to manipulate the audio. This function, which is the basis of the freeze function, is integrated into many modules. But many use an external looper: this is the case of the legendary Todd Barton...
-- Sweelinck
Thank you for spending the time to respond and advise, lots to unpick here - some of which I am doing such as the searches to try and pinpoint modules of interest.
The Tiptop One or any module holding a bank of samples would enable the sound to be returned to again rather than the actual radio such as the ST Modular https://www.modulargrid.net/e/st-modular-radio
This was the module that started me thinking thinking about searching for sound and exploring what I could do with it.
I am still looking forward to owning the Big T Music Monsoon (due to its size & that I own the Rangoon) at some point to work alongside a unit with samples / radio.
All responses have given me more to think about and new information which is a huge help and will aid me in making up my mind - hopefully sooner than later.
Yeah, very cheap too but it looks like an old car stereo unit with faceplate taken off. urghhh
-- EuroBadger
There are so many ‘old car stereo unit with faceplate taken off’ in the Eurorack world.
Therefore it’s good to reserve a small separate case and place vintage advertising stickers on it.
It’s fun and it puts things into perspective. We used to do that with our cheap guitar cases :)
Nostalgia...
