Recently I’ve been playing minimalist pieces on the piano (Phillip Glass, Howard Skempton) that involve both polyrhythms and overlapping hands.

For this video, I transferred the idea to my modular system, splitting an F minor sixth chord across two sequencer channels, and clocking the channels at different rates (x2, x3). The sequencer (Qu-bit Bloom) generates 64 variations on this pattern, a stage sequencer selects 12 of them, and a multisample player (Disting EX) performs them. Further details in the patch notes.


Very nice and simple patch! Of course, being generative, it lacks the sense of direction of actual pieces of Glass. But it's quite inspiring to already get this result without adding compositional direction. Very cool!


Thanks Arrandan, yes this stays fairly rooted on the F minor chord. I did try transposing the sequence via the root input but I decided I preferred the sense of stasis!