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Colored noise from A-118-2 through Next Phase phaser to Morgasmatron’s Low Pass Filter.
A-118-2’s Sample & Hold modulates Morgasmatron’s cutoff frequency.
Wave’s cycle adjusted by Next Phase’s LFO.
Final audio passes through Desmodus Versio reverb to Roland 531 output.
Modules used:
Doepfer A-118-2
AJH Synth Next Phase
Intellijel Morgasmatron
Noise Engineering Desmodus Versio
Roland SYSTEM-500 531
This is an attempt to design a Mono > Stereo Snd/Rtn + Dry/Wet & Pan Control patch. Haven’t tried it, but I think it works:
Audio Signal path: Oscillator > Filter > Splits to Dry/Wet (Snd/Rtn)
Dry (Snd) Audio Signal path: Filter > Panner > VCA_1 (Left) &VCA_2 (Right) > Stereo Mixer_1 > Output Mixer
Wet (Rtn) Audio Signal path: Filter > VCA_3 > Mixer* > FX > Stereo Mixer_2 > Output Mixer
Fx’s balance pot is always fully Wet because Dry follows another path*
Dry/Wet (Snd/Rtn) is now controlled by Attenuator’s pot:
Dry/Wet (Snd/Rtn) Balance: Attenuator > Splits to control Dry/Wet (Snd/Rtn)
Dry (Snd): Attenuator > VCA_1+2 (inverted)
Wet (Rtn): Attenuator > VCA_3
Panner’s pot controls L/R for the Dry signal
More voices can be Snd/Rtn to Fx by the same way.
*According to my tests Fx inputs are Stereo only for the Dry Signal. For the Wet Signal they are summed to Mono. Therefore, and as the Fx is always fully Wet Fx’s inputs doesn’t have to be Stereo. A Mono Mixer will have the same results.
Voltage Block sends a random 1 volt through Intellijel Quad VCA (which receives a random gate at the CV input from Varigate 8+) to 333. 333 acts as Precision Adder as both quantized pitch CV from Varigate and VB’s 1volt meet there before they go to MiniMod oscillator 2. The result is a random 1 octave pitch change for the notes of Varigate’s sequence.
Oh my goodness! What a nice treat is this "Night Strolling" track of yours. Such a sonic experience with so many interesting sounds you are surprising the listener with! Normally 17 minutes is pretty much, but for your track that's considering short, you keep the listener stuck to the chair, keep surprising him/her with fantastic sounds, and not once, no not twice, not thrice, not even ten times but uncountable times, again, and again, you got one after another surprise up your sleeve in your music. I don't know what to say other than this is seriously good.
Somewhere half the track I think, I get the feeling of listening at a new generation of Vangelis! Beautiful!
I haven't been entertained for quite a while so good as a listener as by your Night Strolling track. Superb and I hope to hear more from you on this level! Kind regards, Garfield Modular.
-- GarfieldModular
Main sequence comes from Varigate 8+ and MiniMod oscillator 2. Then to Morgasmatron which is in parallel mode. OUT A (LP2 and then BP mode) goes to Left input and OUT B (BP mode) goes to the right input of Magneto for the dotted 8th delay effect.
Notice that Voltage Block sends a random 1 volt through Intellijel Quad VCA (which receives a random gate at the CV input from Varigate 8+) to 333. 333 acts as Precision Adder as both quantized pitch CV from Varigate and VB’s 1volt meet there before they go to MiniMod oscillator 2. The result is a random 1 octave pitch change for the notes of Varigate’s sequence.
See patch here: https://www.modulargrid.net/e/patches/view/65270
Lead voice comes from the Make Noise DPO. Oscillator A is in LFO mode and its EXPO input is modulated from Batumi which is in expert mode (Matthias Puech firmware) for the trembling effect. Same for oscillator B (distorted voice).
Marbles sends random pitches in Cm to DPO (lead voice). Also sends random pitches to BIA which is responsible for some weird noises. Both BIA and DPO goes to Clouds (delay+reverb)
Bassline comes from Varigate 8+ and MiniMod oscillator 1 (triangle) which goes directly to 531 output mixer.
I should keep Blck_Noir’s Kick MORE in that reverse reverb mode!! After I heard the recording I noticed how good it was..
Akai’s MPK Mini mkII keybed is set to midi channel 1 and controls Lifeforms SV-1’s oscillator 2 through FH-2’s arpeggiator.
Note range for FH-2’s midi channel 1 is set to 47-127.
Akai’s pad is set to midi channel 2 and controls Lifeforms SV-1’s oscillator 1 through FH-2.
Note range for FH-2’s midi channel 2 is set to 0-46.
Midi note messages are send from Logic Pro X to FH-2’s both midi channels in order to change the chord for Lifeforms SV-1’s oscillator 2 (FH-2’s arpeggiator’s Transose is on and mapped to an Akai knob) and the note for Lifeforms SV-1’s oscillator 1.
Clock is coming form Logic Pro X.
Kick comes from Morgasmatron's filter B
Snare comes from Morgasmatron's filter A
HiHats coming directly from Lifeforms SV-1’s Noise output.
Everything’s played in real-time, no editing or effects, except a Channel EQ, a Compressor and a Spread from Logic Pro X.
This is my first Self Generative patch. "Krell" I could say.
Two asynchronous clocks are mixed with Triatt.
“Melody” comes from Lifeform's oscillator 2 (oscillator 2 - LPF - Magneto’s reverb)
Other chaotic timbres come from Lifeform's oscillator 1 (oscillator 1 - Morgasmatron - Magneto’s Delay)