Thanks man,
I think I’ll probably follow your advice at some point
and who knows I probably will eventually.
All in good time
I really want to thank you all for you advice.
The way my synths have fallen into place thus far is
Moog GrandMa for Bass lines,
K-2 for leads and melody
B-2600 for percussion, stabs, melody and evolving textures
In my mind I was replacing the ms-20/k-2
i.e. two Osc, dual filter (hp/lp), two eg with sample and hold and lfo
To be used in conjunction with grandMa and b-2600
I really like the 2600 and grandma but I wanted to get them wild.
This small rack I’ve laid out is really my expansion to my preexisting synths.
It’s gotta do double duty not just speak for itself.
Hence all the modules.
What I find myself always wanting with my patches are more random, more evolving
More beautiful melody expansive sounds that are intriguing and surprising.
Really seems like that’s modular in a nutshell.
Thanks for the advice man
Totally get that she’s cramped
I was planning on using the extra modules to manipulate patches on the b2600/grandma
And I wanted to replicate the good things that an ms20/k-2 does have
I do have an ssl six as well as several preamps that can handle synths
Current setup was based on a desire to get back into synthesis slowly
So I went semi-modular.
Please don’t flame, had to start somewhere.
I have a keystep pro controlling a moog grandmother, b-2600 and a k-2.
There is a pedal chain and a lexicon pcm-80 for efx and several studio preamps for colour.
This rack is meant to play with the grandmother and the B-2600 and replace the K-2.
The k-2 takes up 3ru in my rack and I’m going to keep the eurorack that way… for now.
I’m happy to keep this synth mono.
I do wonder about the levels between the b-2600 and the eurorack tho the grandmother has a eurorack out.
